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The Foundation
29, 30 and 31 October 2008- Auditorium, Rectorate Building, UPV
I arquia/next Forum Valencia 2008: 'Origins and Disagreements', was attended by 385 participants. In an open debate format, he analysed the architectural and sociological conclusions drawn from the In open debate format, different architectural and sociological conclusions were analysed and drawn from the more than 769 projects presented in the 2006-2007 edition of the arquia/next biennial by the 286 participating architects.
The topic 'Origins and disagreements' reflects the genesis of the programme. It proactively covers the progress and systematic approach of the initial documentation of the principles and results of those who are starting their professional activity as architects in Spain; and on the other hand, it includes disagreements, forgetfulness and prejudices as the basis of a conflict, a debate, when related to reality, and very especially with the future education models of the Spanish schools of architecture, can contribute to the social reactivation of architecture as a collective reference essential to people and the knowledge beyond emotion or market processes as exclusive public values.
The jury of the 2006-2007 edition, consisting of Félix Arranz as general curator, Marta Cervelló, Sara de Giles, Patxi Mangado, Carmen Pinós, Emilio Tuñón and sociologist José Miguel Iribas granted the 2008 arquia/next award and €15,000 to the project Eco-boulevard in Vallecas' extension by Ecosistema Urbano. In addition, the Opinion award was granted to the project with the larger number of attendee votes, which was Casa para el pintor Damià Jaume by Francisco Cifuentes and the Communication award to the project Dibujos para los IV encontros internacionais de arquitectura: identidades by Roque Viejo.
The 2008 arquia/next catalogue 'Origins and Disagreements' was presented with the 128 works selected by the jury. Likewise, the authors of the 28 selected works that were part of the arquia/next exhibition had the opportunity to present them publicly at the Forum.
WEDNESDAY 29 OCTOBER
Universitat Politècnica de València
Avda. de los Naranjos [entry of the UPV rectorate]
12PM-6PM, ARCHITECTURE ITINERARIES:
Itinerary 2: South-West Route
Itinerary 4: Extramurs
Itinerary 5: North-South Monumental Axis
Itinerary 6: Centre: Velluters/Carmen
Itinerary 7: Coast: Seaside/Albufera villages
All itineraries start at Universidad Politécnica de Valencia and finish at the inner Port harbour. All itineraries meet halfway to have a snack at the Cabecera Park. All itineraries include a bus tour, walking and guided tours, free visits and places 'nearby' as possible scenarios of the city of Valencia.
Arquia Foundation will assign each participant to a single itinerary but provide everyone with the detailed route of all itineraries.
THURSDAY 30 OCTOBER
Auditorium. Rectorate building. UPV.
9:30h Certifications
10:00h Opening 2008 arquia/next Forum
Awards ceremony for the winners of the IX call of the 2008 arquia/scholarships programme
11:15h Break - Coffee
Opening of the '150%' exhibition
10 winning proposals IX contest
arquia /scholarships 2008
11:45h Topic presentation for the X call of the 2009 arquia/scholarships programme:
'The room to keep the witch's broom'
Architect, 2009 arquia/scholarships jury
12:00h JOSÉ ANTONIO SOSA:
Lecture 'Abstract nature'
Architect, 2008 arquia/scholarships jury
13:00h LUÍS FRANCISCO HERRERO:
Debate 'Learning From las Becas'
Architect, professor at ETSAV
14:00h Break - Lunch
16:00h 'ORIGINS AND DISAGREEMENTS' CONFERENCE
Round table for the evaluation of the works submitted
by the arquia/next jury:
FÉLIX ARRANZ, Programme curator
MARTA CERVELLÓ,
SARA DE GILES,
PATXI MANGADO,
CARME PINÓS and
EMILIO TUÑÓN
In collaboration with JOSÉ MIGUEL IRIBAS, Sociologist.
19.00h Change of location, trip to the MuVIM
Museu Valencià de la Il·lustració i de la Modernitat,
C/Quevedo, 10, 46001 Valencia
20:00h ARQUIA/NEXT Awards ceremony ,
for the best work in the 2006-2007 biennial, overview of the project
ARQUIA/NEXT catalogue presentation,
register of the 128 works catalogued by the scientific committee
Opening of the ARQUIA/NEXT exhibition 'Origins and Disagreements'
exhibition of the 28 selected works
FRIDAY 31 OCTOBER
Auditorium. Rectorate Building. UPV.
9.00h ORIGINS AND DISAGREEMENTS CONFERENCE (continued)
Explanation by those selected:
- CADAVAL & SOLÀ MORALES
+ arquitectura
- (HOUSE), NÚRIA SALVADÓ – DAVID TÀPIAS,
Cine Lidia
- ELENA CASTILLO, ROBERTO GONZÁLEZ, MARÍA LANGARITA and VÍCTOR NAVARRO,
Casa Salillas
studio for the painter Damià Jaume
- DOS PUNTS,
CEIP Artur Martorell
- DAVIS ESTAL,
TransiteSevilla06
- ESTUDIO FAM,
11M memorial
- ESTUDIO FAM,
EMV dwellings in Cuatro Caminos
Intermediae Matadero
- URIEL FOGUÉ,
Stand COAM-Construtec 04 Trade Fair
Nacka Rings. Europan 9 contest
Restructuring of two houses on an urban route
- LOSDELDESIERTO-EVA LUQUE+ALEJANDRO PASCUAL,
La Garrucha Sports Pavilion
- JOSÉ MARÍA LÓPEZ MARTÍNEZ – MANUEL ALEJANDRO RÓDENAS LÓPEZ,
leisure and tourism centre in Murcia
Vuelta de paseo. Intervention in the landscape of Víznar
- VÍCTOR NAVARRO, ROBERTO GONZÁLEZ, JAIME TEUÓN
URGENTE
- NO+12,
City Hall Pavilion for the 2007 Madrid Book Fair
- NOLASTER,
Casa OS
Space of young creation
building and adaptation of the surroundings of the Roman temple of Diana in Mérida
- LUÍS ÚRCULO,
Topografía Lumínica
Sports centre pediment
- ROQUE VIEJO,
Drawings for the 4th encontros internacionais de arquitectura: identidades
Meatzari Civic Centre
- ELENA PRIETO, CONSTANTINO HURTADO, GORKA LÓPEZ,
workers' canteens in Avilés
- ZON-E,
Serie e_o0
13.30h Congress closing and awards ceremony:
Opinion award, to the best works voted by FORUM attendees
Communication award, to the presentation of the work most highly valued by
the members of the scientific committee, curator and sociologist.
ARQUIA/SCHOLARSHIPS
'THE ROOM TO KEEP THE WITCH'S BROOM',
Eduardo de Miguel, 2009 arquia/scholarships jury
Presentation of the topic of the 2009 10th arquia/scholarships contest
'ABSTRACT NATURE'
José Antonio Sosa, 2008 arquia/scholarships jury
'LEARNING FROM LAS BECAS'
Luis Francisco Herrero, architect, ETSA-Valencia professor
ORIGINS AND DISAGREEMENTS CONFERENCE
'ORIGINS AND DISAGREEMENTS', round table.
Speakers: Félix Arranz, Marta Cervelló, Sara de Giles, Patxi Mangado,
Emilio Tuñón and the sociologist José Miguel Iribas.
Selected works explained by their authors:
- + ARQUITECTURA
Carlos Cámara
- CINE LIDIA
(house): Núria Salvadó – David Tàpias
- CASA SALILLAS
Elena Castillo, Roberto González, María Langarita and Víctor Navarro
- STUDIO FOR THE PAINTER DAMIÀ JAUME
Francisco Cifuentes
- CEIP ARTUR MARTORELL
Dos punts: Marc Binefa – Montserrat Fusano
- TRANSITESEVILLA06
David Estal
- 11M MEMORIAL
Estudio FAM: Esaú Acosta - Raquel Buj - Pedro Colón de Carvajal -
Mauro Gil-Fournier - Miguel Jaenicke
- EMV DWELLINGS IN CUATRO CAMINOS
Estudio FAM: Esaú Acosta - Raquel Buj - Pedro Colón de Carvajal -
Mauro Gil-Fournier - Miguel Jaenicke
- INTERMEDIAE MATADERO
Arturo Franco
- STAND COAM-CONSTRUTEC 04 TRADE FAIR
Uriel Fogué
- NACKA RINGS. EUROPAN 9 CONTEST
Jacobo García-Germán
- RESTRUCTURING OF TWO HOUSES ON AN URBAN ROUTE
Juan Diego López Arquillo
- LA GARRUCHA SPORTS PAVILLION
LosdelDesierto-Eva Luque+Alejandro Pascual
- LEISURE AND TOURISM CENTRE IN MURCIA
José María López Martínez – Manuel Alejandro Ródenas López
- WALKING TOUR. INTERVENTION IN THE LANDSCAPE OF VIZNAR
Carmen Moreno
- URGENT
Víctor Navarro, Roberto González, Jaime Teulón
- CITY HALL PAVILION FOR THE 2007 MADRID BOOK FAIR
No+12: Gonzalo Martínez Márquez Diego José Daza Pisonero
- CASA OS
Nolaster: Beatriz Casares, Carmina Casajuana, Marcos González, Pablo Oriol,
Fernando Rodríguez, Arturo Romero
- SPACE OF YOUNG CREATION
J.M.Sánchez García
- BUILDING AND ADAPTATION OF THE SURROUNDINGS OF THE ROMAN TEMPLE
of Diana in Mérida
J.M.Sánchez García
- LIGHT TOPOGRAPHY
Luís Úrculo
- SPORTS CENTRE PEDIMENT
Yoana Urralburu
- DRAWINGS FOR THE 4TH ENCONTROS INTERNACIONAIS DE ARQUITECTURA: identidades
Roque Viejo
- MEATZARI CIVIC CENTRE
Virai Arquitectos
- WORKERS' CANTEENS IN AVILÉS
Elena Prieto, Constantino Hurtado, Gorka López
- SERIE E_O0
Zon-e
AWARDS CEREMONY
Opinion Award, to the best works voted by FORUM attendees
Communication Award, to the presentation of the work most highly valued by
the members of the scientific committee, curator and sociologist
ARQUIA/NEXT awards ceremony
Eco-boulevard in Vallecas' extension
Ecosistema Urbano: Diego García Setién, Belinda Tato y José Luís Vallejo
COMMUNICATION TO THE CONGRESS OF ARCHITECTS OF SPAIN
REPORT FROM ARQUIA/NEXT CURATOR
PROPOSAL FOR COMMUNICATION TO THE CONGRESS OF ARCHITECTS OF SPAIN 2009
by Marta Cervelló
Board member at Caja de Arquitectos, S. Coop. de Crédito
CONTACT DETAILS
c. Arcs nº 1, 08002 Barcelona
934826810
mcervello@mateo-maparchitect.com
COMMUNICATION TITLE
The beginnings of the professional development of architects in Spain
SUMMARY (Maximum 12 lines)
A series of linked activities, related to the Scholarships for Students -and recently graduated Architects-, Student surveys (the last one drafted in 2008), thesis publications -very often of texts by young professionals-, and the recently held Arquia-Next forum have provided us with a lot of information on the beginnings of the professional development of architects in Spain.
COMMUNICATION (Maximum 1,200 words)
A series of linked activities, related to the Scholarships for Students -and recently graduated Architects-, Student surveys (the last one drafted in 2008), thesis publications -very often of texts by young professionals-, and the recently held Arquia-Next forum have provided us with a lot of information on the beginnings of the professional development of architects in Spain. As a summary, the main features extracted from this information are set out below.
Arquia-Next collected in its first call a database of nearly 1000 'works' made by young architects from all over Spain over a year, tracked by a project prepared by its activator Felix Arranz and grouped in a digital platform. The term 'work' has brought about an open and wide dimension that covers any architect's professional production. The sample collected from this first Forum was not intended to be the only representative sample of the entirety of Spanish youth, but to convey a version of their concerns and interests. Arquia-Next's goal has been to help people by providing a platform to socialise and share their work.
It has also served to configure a sample of the state of the young architects' profession. Using the aggregated data from Arquia-Next and the 2008 Architecture Student Survey, it is possible to confirm or assess the conclusions from both studies about who makes up the group, what their interests are, and the tendencies of younger professionals. For the around 20,000 young architects there must be living in Spain, there are still some questions pending: What would be the appropriate training courses/apprenticeships and duration? Are the career paths chosen out of 'vocational' interest or to resolve a livelihood system? Does society regulate the supply and demand of architects in their different specialities equally?
A first important remark refers to the term 'young': although traditionally people under 40 years of age are considered young, nowadays it is more appropriate to use the term 'young' for those who have been in the profession for less than 10 years: this new definition allows for more cross-sectional and contemporary education paths, understanding the importance of the time that elapses between the end of formal academic education and the student's subsequent personal development, including postgraduate education or internships. We think it is appropriate to expressively focus on this period where the real professional career of the architect begins and the paths to the future are established.
As for the definition of the group, the greatest difference between youngsters and other generations lies in the influence and information sources. A few decades ago there were teachers whose studies and classes dictated a framework for the evolution of architectural culture; nowadays, global trends follow other systems, which are wider, ultra-fast, more generalised, arranged in a matrix, highly internationalised, and only explainable by those who try. Probably for this reason, as far as cultural and geographical diversity is concerned, it is difficult to distinguish/differentiate among the works of young Spanish architects, as they are equally different, whatever their location.
A certain equality between has been established between the percentage of male and female architects. Women, most of them in the classroom, take part in the profession like men in the initial stages of professional development, as 'young people'. However, it would perhaps be useful to check the degree of permanence and continuity throughout their professional career, since it is often difficult to reconcile family and work. This usually leads them to give up their career and hinders their return to the work field.
In relation to the professional development interests of the group, it can be concluded that the majority of young architects try to practice as liberal profession architects, associates or alone, and above all they focus on developing building or landscape projects. Most of them think that it is necessary/interesting to partake in architecture internships with studios, either Spanish or foreign, especially to make up for deficiencies in their university courses, before embarking on their own individual path. Through open-style education, they get jobs just like their elders: by participating in contests, fostering relationships, and strengthening personal promotion. The works developed during this initial period are often important and complex, and possess undeniable architectural quality. The time needed to 'meet their professional expectations'* corresponds to 5-6 years of profession.
Although Arquia-Next has not been able to list examples of all related professions (for example, it is difficult to include public or private advisers or teachers/professors, etc.), this recent student survey does include other possible professions: although less desired than liberal activity, being a teacher/professor or a salaried or civil servant are possibilities recognised by some young architects. There seems, however, to be little inclination towards more scientific fields, dedicated to the research and development of new materials, for example. On the other hand, paths close to industrial design, interior design, or graphic design are positively recognised in these stages of professional consolidation. The Architectural Thesis Contest held every two years by the Arquia Foundation also reveals a greater tendency towards texts on History and Criticism than towards more technical fields.
It is difficult to pinpoint a clear tendency towards the internationalisation of their work when analysing Spanish architects, although they do have a tendency towards doing internships abroad: perhaps they find sufficient supply and field of development in their immediate environment or they are aware it is more difficult to cross borders than to obtain benefits.
It can be concluded from the reports drafted by the Arquia Foundation that young architects mostly want to dedicate themselves to being a classical liberal architect, alone or as associates, from their incidence of active participation in the new networked, multidisciplinary and egalitarian environments. They are concerned about the social connection of architecture and its commitment to the environment. Perhaps precisely because of this, young architects say they do not want to be 'famous' and understand the need for professional formulas for collaboration.
Young Spanish architects have shown themselves to be well prepared, to know how to assume their responsibilities and be pragmatic, all while offering high-quality work.
*(according to Iribas)
UPCOMING BEGINNINGS
November 2008
by Félix Arranz
Biennial Commissioner 2006-2007 of the 'arquia-next' project
From my perspective, which I have tried to reflect in the article 'Origins and disagreements' (*), the arquia-next project by the Arquia Foundation represents, by facilitating the 'Open Registry of Principles', a quantitatively enormous and colossal step towards the ratification of a personal suspicion: the replacement of the critical press, let's say Gutenberg, based on the periodic distribution of individual opinions of authorities by means of alternative documentary methodologies, wiki, wam or scalae. net, based on the permanent and exhaustive but discriminated sample of personal and professional principles on understandable, comparable, and non-intermediate structures. In other words: in my opinion and intention, arquia/next is committed in its format to structured and sustained debate in direct talks by the active players rather than to the critical view of expert, authorised, unique..., foreign voices. In a way, seen in this way, this report, in my capacity as curator, is a contradiction that I have to necessarily assume.
The real and practical culmination of the theoretical basis that underpins the existence of the 'open registry' of arquia/next could be experienced in the form of the debate that publicly began in the auditorium of the Universidad Politécnica de Valencia on the occasion of the Forum in which, for three days last October, the QF scholarship holders (architecture students and/or recent graduates who have been awarded scholarships to join prominent Spanish and international professional firms for six months) and the 'next' (authors of the 28 projects selected(**) representing the work of Spanish architects who are in their early stages, within the first ten years as professionals and as representatives of the authors of the nearly 800 projects included in the open registry). Three days in which, literally, a generation of Spanish architects, the next generation, its members, exchanged stamps from their personal collections and in doing so memorizing the names of authors and works: the 128 works censused in the precise catalogue-album of arquia/next, thanks to a diabolic 'trick' conceived by the, in fact, 'next' of the zulo_ark group.
In this debate, which took off quickly due to the capability of its participants and the fact that it persists and finds a way to survive day after day in the blogs, in the virtual communities and in the videos and podcasts shared on the Internet, it becomes clear—from the interventions of the 'next' and the 'scholars', and with the excuse of the collective invention of the 'next school of Spanish architecture'—what are some of the characteristics and aspirations of the next generation. It should be noted that the distance in intentions, as well as the reading of the reality of the new generation, is vertiginous in the eyes of people and professionals accustomed to the rhetoric inherited and learned in the until very recently valid curricula of the schools of architecture and in the convalescent system of professional incorporation of the associations of architects. I will be more direct: the new generation feels detached from what they have learned at school and from the offering of professional associations, since both are very far from the reality they live in and understand and, consequently, they are little less than useless, sterile inheritances. They don't even criticize them, they are useless to them as they are today, and they feel that they may never be useful again. I identify three 'threads' in the debate, complex and shared in conversation, all of which point to the need for a resynchronization with reality:
In their words, against the odds and with the ratification of their achievements, the 'next' ones argue for a reconsideration and preference of the material over the rhetorical, in a practical sense that, to give an image, 'prefers to build without a project rather than project without building'. One evidence of this is the awarding, by open vote, of the 'Opinion Award' for the painter Damià Jaume in Mallorca, by Francisco Cifuentes. Take a look at the Mallorcan non-project and work, and identify what is a beautiful first generation flag. The careful conclusions of the sociologist Iribas on the survey carried out on the teams catalogued in arquia/next and the intimate motivations of those who are starting out today are also useful.
Technology, IT and communication resources, ICTS, which are fascinating for those who are 'outsiders', are the usual, every day and natural thing for those who are next—who were born in it and are 'native'—to the extent that they have initiated a critical phase in the relationship with gadgets and software, being able to distinguish and discriminate electronic work and leisure resources from consumer electronics and uselessware. Possibly due to the apparent pressure of the "need to build on what is built" in a mental and material recycling process that sees intelligently and goes beyond industrial and socially correct gadgets, those next in line could collectively relate to the younger Le Corbusier, the one who held a brick in his hands for the first time checking/asserting with delight: 'well, it's heavy!' It is, no doubt, an excessive generalization to say that a good part of the next generation could be comfortable in the figuration of a hypertechnological neo-artisanship... Just saying... The work and attitude of a group such as Ecosistema Urbano, who synthesises a good part of the aspirations of the next generation, should serve as a benchmark. Both the project and work of the Eco-boulevard in Vallecas and the project and work of 2.0 web communication http://ecosistemaurbano.org are paradigmatic and constitute generational flags.
Lastly, to meet my commitment not to extend the comment too much and to limit the threads to three, and in view of the principles set out in the open registry of arquia/next, the next generation of Spanish architects seems to be comfortable renting a flat—it is not that ownership is impossible... it is simply disregarded—owned by the 'grandchildren of the 1968 generation'.
The symptoms of the 1968 grandchildren-grandparent bond are the insistence on the reformulation of reality; environmental hypersensitivity; international exchange not just as a way of establishing relationships but as a lifestyle in itself; the preference for anonymity and aliases; territorial and family uprooting and, at the same time, a strong attachment to traditional ideological systems; intellectual promiscuity and permanent group reconfiguration into communities...; but, above all, special attention to what happens individually, to the acknowledgement of the feelings and one's own well-being as the axis of the meaning of life and, within it, of architecture. The explanation that Roque Viejo offered in Valencia about his drawings-thoughts on graphic identity, for the Galician Encontros internacionais de arquitectura, and which was endorsed with the award for communication in next architecture, marvellously illustrated this vital condition and closes the main set of flags that I have been able to calibrate in the foundational curatorship of arquia/next and which I now retell.
Arquia/next puts in the hands of people interested in the principles of architects and Spanish architecture their own players and motivations, offering the possibility of a direct encounter without intermediaries. The next generation, attentive to any variation of reality, has found in its register, catalogue, stamps and forum an optimal and suitable vehicle for its particular Magical Mistery Tour and has exposed generously its achievements and thinking models.
Each person has to reconstruct the personal list of selected and awarded. It is possible. You are all invited... This is just the beginning.
(*) Félix Arranz: 'Origins and Disagreements', in various authors: arquia/next 2008, Origins and Disagreements, Madrid: Arquia Foundation, 2008.
(**) Arquia/Next has catalogued in its first edition and through the joint work of the scientific council of the curatorship formed by Emilio Tuñón, Carme Pinós, Sara de Giles, Marta Cervelló, Patxi Mangado and Félix Arranz 128 of the 760 achievements registered in the open registry on the Internet [http://www.arquia.es/proxima]. It has selected for its exhibition 28 of the catalogued works and has awarded the premio arquia/next 2008 to the work Eco-boulevard in Vallecas, by Ecosistema Urbano